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POETRY: Start a Poetry Circle

12/07/2011 in Poetry, SL Activity

Song lyrics, limericks, nursery rhymes, and even some speeches are all forms of poetry. Maybe you should start a poetry circle at Cypris Village and start talking about poetry. It’s a fun way to study songs, famous children stories, even rap and hip-hop. Poetry is a big part of speaking English. Here is a notecard I am using to introduce poetry and poetry circles to the group. Feel free to copy it and use it in your poetry circle.

Poetry Circle

Compiled, written, and edited by Professor Merryman

Let’s share poetry! In this lesson, we will learn about types and techniques of poetry. We will read some examples and then we will share some short poems with each other. Hopefully this will help you start your own poetry circle here at Cypris.

There are dozens of types of poetry, but they all have a few things in common: movement, sound, and emotion. Here are a few types of poems we can use in our circle:

DEFINITION – Uses “free verse”. No rules for rhyming. Uses metaphors or imagery to “paint a picture”. Rap songs come from this type. This type is also good for English learners to have fun experimenting with the language.

What is my dog?
A furry two-legged companion
A winsome fierce dog
Happiness all around
The gentle kind dog
Too small and mighty
White and tan hair all around
A warm soft song
So small he could fit in a teacup
Powerful, But strong
Toys and tails thrown
This is my dog!

CATALOG – A list of ideas. It may rhyme or not. Each section has a central theme.
Snow melting
Air warming
Trees coming to life
Flowers budding

Birds singing
Baseball season starting
Everything turning green
My favorite time of year

LIMERICK – humorous poetry, fun, and often lighthearted. It has a strict rhyming pattern and five lines.
A Clumsy Young Fellow Named Tim
1.    There once was a fellow named Tim (A)
2.    whose dad never taught him to swim. (A)
3.    He fell off a dock (B)
4.    and sunk like a rock. (B)
5.    And that was the end of him. (A)

QUATRAIN – made up of two couplets. A couplet has two stanzas. A stanza is one line.
Swimming is a lot of fun
Hanging out all day in the sun

Splashing around in the pool
It’s the best way to stay cool

HAIKU – A popular Japanese style of poetry.
•    Uses three or four lines of up to 17 syllables (10-14 is common in English Haiku);
•    Use a season word like “Autumn” or “Spring”
•    Use punctuation to “cut” between two images

Ballet in the air …
twin butterflies
until, twice white
They meet, they mate
-Basho  ;-)

Poets use a myriad of styles or techniques, sometimes referred to as “poetic devices”, to get across their ideas or themes. Some common techniques are:

ONOMATOPOEIA
Uses words to deScribe sounds like “crack”, “boom”, “bang”.

ALLITERATION
To repeat three or more same sounding words like “The pop, pop, pop brought the child out in me.”

ASSONANCE
Use vowel sounds repeatedly that rhyme as in “The head of the bed was red”.

RHYMING
Words and phrases are combined with rhyming sounds to create rhythm.
Jack be nimble,
Jack be quick.
Jack jumped over
The candlestick.

SIMILES
Use comparisons like, “The air felt like the smell of an old book.”

METAPHOR
Phrases that describe an emotion or scene in words that are not always commonly used. For example:
“All the world is a stage.” (Shakespeare)  Alone, it can mean many things: we can be who we want to be, no one is real in the world, people around the world are always willing to listen. But when this phrase is combined with other stanzas the author’s meaning becomes clearer to the reader. Metaphors allow the reader to decide for themselves the meaning of the poem.

One other technique worth mentioning is “Poetic License”. Poetic license is when the poet or song writer uses the language incorrectly. Look up the poem entitled, “Jabberwocky” to get an idea of what poetic license is. But be careful, you are an English learner. Poetic “license” is given to poets and writers when they are known to be fluent in the language and are using their “license” to be poetic. English learners should not have poetic license.

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Acitivity – Poetry Circle

Find examples of poetry on the Internet or in books you have at home. Good beginning choices include nursery rhymes, song lyrics, limericks or even one of your own. Share them with the circle. Please copy and paste the poem in local chat or create a notecard to give to us. An audio recording of a native speaker reading the poem is also nice. Read the poem, then let’s discuss its meaning and how it makes us feel.

Here is how a poetry circle works:
The circle is organized by a Host or Tutor. It is their job to help everyone by helping to correct mistakes, add links from the web that help understanding, or help moderate discussion.  The Host or Tutor can also become a Poem Master if one is not available.

The poetry circle consists of four people: the Poem Master, the Apprentice, the Scribe, and the Explorer.

Poem Master
The Poem Master chooses the poem. They introduce the poem with who wrote it, the date it was written, the country it is from, and a little about the poem to help us understand. They then read it to the circle. It should take less than two minutes to read. They should then ask the Apprentice, then the Scribe, and finally the Explorer what they thought of the poem. Each person adds their five minute part to the discussion. The Poem Master and Apprentice help the speakers get plenty of time to speak.

Apprentice
The Apprentice tries to make a few comments about the poem without talking too much about the meaning. For example, “It’s such a happy poem. I really liked it because the rhyming was fun. Your voice was so happy.” The Apprentice can be the Poem Master the next week and uses this time to learn about becoming a Master. The Apprentice keeps track of time with a countdown clock and helps the Poem Master with discussions and questioning.

Scribe
The Scribe chooses three to five points in the poem that are interesting to discuss. These could be grammar, vocabulary, phrasing, meaning, emotion, sound, style, or technique. The Scribe should not talk about the poems overall meaning but rather specific words or phrases that can be used in our daily writing or speaking.

Explorer

The Explorer’s job is to discuss with the group the overall meaning of the poem. The Explorer first asks the Poem Master about the poems meaning and then attempts to connect the meaning with life and world culture. The Explorer might give examples from other poems, stories, movies, or songs  related to the discussion. Put SLurls of Second Life places to visit or videos and photos that might help us better visualize the meaning of the poem.
Once the Explorer has presented, the other attending members can join the discussion. This ensures that the four presenters have had enough chance to speak. Afterall, they did their homework and prepared to be here for this activity. They should be given ample opportunity to speak.

——————-QUESTIONS————————

What if there are more than four people?
If there are more than four people in the circle, they can join the discussion after the Scribe and Explorer have presented. They should sit on the observation seats and then be invited down to the circle seats to join the discussion. If there is time, the circle can shift and new roles can be assigned.

Length of time
The Apprentice is in charge of keeping time. Each discussion should generally be about 40 minutes. Of course, this depends on the group. Each person should have five minutes to read and present their part and a few more minutes to discuss. The apprentice should use a countdown clock that everyone can see in order to help keep everything on time.

Poetry Circle Host – What do they do?
At the end of the 40 minutes, a new Poem Master is chosen. The Poem Master should give the poem to the circle Host or put it in a box that is made available to everyone similar to the notecards box we use for lesson times. The Host should make sure the group gets the notecard or is given the link to the poem to read and study for the next discussion time. The Host is also responsible for advertising the activity.

Rules for poem choice
All poems should respect the Cypris principle of Respect. The poems should present healthy topics for discussion; no sex, heavy drug use, gory death, zealous religion, extreme politics, or any other topic that may cause extreme cultural discomfort. Let’s not leave the circle with negative thoughts in our head. Talk about your choice of poem with the group and be sure to let everyone know why you chose your poem.

Can I write and present my own poem?
Of course. That would be fantastic! You could even turn it into a digital poem by making a slideshow or video of you reading the poem with images to help make the poem come alive.

Do we have to have the circle at Cypris Village?
Absolutely not! Start your own poetry group and use Cypris as a meeting place. You can then teleport to places in SL that help visualize the poem’s meaning. We only ask at Cypris that you advertise your circle as [HOST NAME’s] Poetry Circle. It would be great if you could wear your Cypris Villager tag when you travel.
Do we have to use poems? Could we do this with short stories, jokes, movie scripts etc.?
Sure. You’ll just want to call it something other than a poetry circle, of course.

LEARNING: William Shakespeare

10/21/2011 in Learning/Practicing

William Shakespeare (1564-1661)

William Shakespeare was a famous English poet and playwright. In his earlier years (up until around 1600) he wrote comedies and histories like The Tempest, A Midsummer Night’s Dream, King John and Henry VIII. From 1608 he began writing tragedies such as Hamlet, Othello, and Macbeth. His true fame came after his death when the romantics of the 19th century called him a genius. Today, his plays are still performed all around the world. But who is this person? How was he able to write so well? What inspired him?


Timeline and questions to help you understand just about everything about William Shakespeare.

Class or group project: Each students should choose one period of time. Prepare a short presentation which answers the questions. Leave time at the end of your presentation for questions and discussion.

1279 – 1531    Who were the Ancestors of William Shakespeare? What do we know about the history of his Ancestors? Family tree?
1531 – 1601    John Shakespeare – the Father of William Shakespeare What was his background? What was his occupation? Who were the Shakespeares? Was he rich? Was he powerful?
1540 – 1608    Mary Arden – the Mother of William Shakespeare – What was her background? Who were the Ardens?
1557    Parents of William Shakespeare – Marriage of John Shakepeare and Elizabeth Arden When? Did their families approve? The Wedding? Their home in Stratford-upon-Avon
1557    What was the religion of the Shakespeare Family? Protestant or Catholic? What were the differences? Why did the religions of people frequently change? Danger?
1564    When & Where was William Shakespeare born? Where was he baptised? Why is there confusion regarding his date of birth?
1558 – 1580    How many Brothers and Sisters did William Shakespeare have? When were they born? What were their names? How many died during childhood?
1571 – 1578    The Education of William Shakespeare – What type of Education did he have? When and what school did he attend? What lessons? What Punishments? University?
1578 – 1592    William Shakespeare – The Lost Years – What are the ‘ Lost Years ‘? What did he do after he left school? What was his occupation? Why did he leave Stratford-upon-Avon?
1582    What mysteries surround the Marriage of William Shakespeare to Anne Hathaway? Differences in ages? Scandal – pregnant before marrying! What was the wedding like?
1583 – 1585    Who were the Children of William Shakespeare? When were they born? Their names? Did they get married? When did they die? Scandals? Grandchildren?
1592    William Shakespeare the Actor – Why did Will seek work as an actor in London? The reputation of actors? Playhouses? The Theatres? Life for an actor?
1592    William Shakespeare the ‘ Upstart Crow ‘ – Why was Will called an Upstart Crow? Who was Robert Greene and what was the ‘Groatsworth of Wit’?
1592    William Shakespeare the Playwright – When did Will start to write plays? What was his first play? Did he act in his plays? Why was a Playwright a dangerous occupation?
1591 – 1601    William Shakespeare Poems – What Poems did he write? When? Why did Wm publish his poems and not the plays? Read the poems of the great Bard of Stratford!
1593 – 1597    William Shakespeare Sonnets – What is a sonnet? How many sonnets did he write? What were the themes? Dedications? Payments? What are the most popular sonnets?
1592 – 1613    Publication of William Shakespeare Plays – Why didn’t he publish any of his plays?  Dates of Publications? Who claimed authorship? Payment?
1592 – 1613    Performances of William Shakespeare Plays – Where & when were the performances? How did Actors learn their lines? Did women perform? Did other people steal his plays?
1592 – 1610    William Shakespeare in London – Where did he live in London? What was London like? What was his life like? Who were his friends? How often did he see his family?
1592 – 1610    Friends and Contempories of William Shakespeare – Who were his friends? Who were his contemporaries? His rivals? Where did they meet? What was the ‘Friday Club’?
1577 – 1665    Bubonic Plague and Shakespeare – How did the Bubonic Plague affect his life? When were the London outbreaks ? How many died? Family deaths? Theatre closures?
1594    Shakespeare and the Chamberlain’s men and King’s men – When did Will Shakespere act with the Chamberlain’s men and King’s men? Where did they perform?
1596    Shakespeare Coat-of-Arms – What did the family Coat of Arms look like? When was this authorised? What did this mean to the family?
1596    Public plays banned in City of London – Why were the theatres banned from the city of London? Who banned the plays? Where did the Theatres and actors move to?
1596    Shakespeare and Stratford-upon-Avon – Prosperity! Fame! How did he earn his money? How much did he purchase New Place for? What was New Place like? Servants?
1597 – 1598    Shakespeare and the Globe Theatre – How was he involved with the building of the First Globe Theatre? Where was the Globe situated? What was it like? Architecture, Layout?
1601    William Shakespeare and Elizabethan Politics – Was the Stratford Bard involved in Politics? Were actors and playwrights involved in Politics? The Essex Rebellion?
1608    Shakespeare and the Blackfriars Theatre The King’s Men buy the Blackfriars Theatre – Why buy a Playhouse? Audiences? Performances?
1613    Globe Theatre – Fire Fire at the Globe Theatre! What play was being performed? How did the Globe Theatre fire start? What was the damage?
1610 – 1616    William Shakespeare and Stratford-upon-Avon – Why did he retire ? What did he do in Stratford-upon-Avon? Did he write any other plays? Family Scandals?
1616    William Shakespeare Last Will and Testament – When did the Bard make his will? Who were the beneficiaries? His manuscripts? His ‘Second best bed’?
1616    The Death of William Shakespeare – What words are on his tombstone? Where was he buried? Monuments to Shakespeare?

Timeline reprinted from http://www.william-shakespeare.org.uk/

=========================

Elizabethan Language

“O Romeo, Romeo, Wherefore Art Thou Romeo?”

————
Learn to speak 16th century British English
————

“Hello” is an exclamation of surprise, not greeting. You might try “Good Morrow”, “God ye good den.”, “How now?”,
“God save you”, or “Good Day”
Instead of “Good Bye” try “Anon”, “Fare thee well” or “God save thee!”

It’s “Aye” or “Yay” not “Yes.”
Try “Nay” or “Indeed Not” for “No”.

“You” can be either “thee/thou” or even “you/ye”
“You would” or “You should” best heard as “Thou would’st” or “Thou should’st”.

I would “beg your pardon” instead of excusing myself.
In order to get your attention I wouldn’t cry: “Listen”, but I would say “Hark!”
Say “prithee” or “if it please thee” instead of “please”.
A wandering babe would be told to “come hither” not “here.”

“A Salesperson” barks louder as a “Hawker”. Affectionately you might call your grandfather “Gaffer”. A beautiful young woman could be a lusty “wench” or maybe a fair “maiden”. Perhaps your pet name for your boyfriend/girlfriend is “Sweeting”. A doll might be called “poppet”, but so would a child.

Some exclamations:
“Forsooth”
“Verily”
“Alack!”, “Alackaday!”, “Alas!”, “Fie!”, “Out upon it!”, “Go to!”
“I’faith!”, or “Now, by my faith!”
“Marry!”, “‘Zounds (God’s wounds, pron: ZOONDS)”, “Hey-ho!”, “God’s Death!”, “God’s Teeth!”, or “What ho!”

Instead of a bar you would find the local “tavern” to buy some “Ale”.

Some general words to know:

Anon – Later
As you will – Okay, or whatever.
By your leave – Excuse me or please, when in the company of another.
Carouse- Party!
Chide – Scold or nag
Cutpurse- Thief
E’en – Evening or even
E’er – Ever or before
Fie – A curse.
Grammercy – Thank you
Maid or Maiden – A young woman of upstanding virtue
Marry! – An exclaimation of shock
Mayhap – Perhaps. Do not mistakenly say “Mayhaps” – there is no plural form
Morrow – Days or tomorrow.
N’er – Never.
Nonpariel – A beauty
Oft – Often
In Faith – In truth, sometimes just “faith”. A mild exclaimation.
Perchance – Maybe or Possibly.
Poppet – A doll or a young child
Pray pardon me – Excuse me
Pray tell – Please tell me
Prithee – Please, literally “I pray thee”
Privy – Bathroom, or more literally, outhouse
Stay – Stop or wait.
S’wounds! – An exclaimation, like wow. A shortened from “gods wounds”.
Tosspot- Drunkard
Verily – Very, Truly or Truthfully.
Wench – A young woman
Wherefore – Why
Yonder – Over there.

Reprinted from http://www.museangel.net/speak.html

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Shakespeare Insult Kit

Combine one word from each of the three columns below, prefaced with “Thou”:

Example: “Thou artless base-court apple-john!”

Would you like to call someone a bad name in Elizabethan English? Be careful when you use these words, you might get in a fight at tavern. ;-)

Column 1	    Column 2            Column 3 

artless             base-court          apple-john
bawdy               bat-fowling         baggage
beslubbering        beef-witted         barnacle
bootless            beetle-headed       bladder
churlish            boil-brained        boar-pig
cockered            clapper-clawed      bugbear
clouted             clay-brained        bum-bailey
craven              common-kissing      canker-blossom
currish             crook-pated         clack-dish
dankish             dismal-dreaming     clotpole
dissembling         dizzy-eyed          coxcomb
droning             doghearted          codpiece
errant              dread-bolted        death-token
fawning             earth-vexing        dewberry
fobbing             elf-skinned         flap-dragon
froward             fat-kidneyed        flax-wench
frothy              fen-sucked          flirt-gill
gleeking            flap-mouthed        foot-licker
goatish             fly-bitten          fustilarian
gorbellied          folly-fallen        giglet
impertinent         fool-born           gudgeon
infectious          full-gorged         haggard
jarring             guts-griping        harpy
loggerheaded        half-faced          hedge-pig
lumpish             hasty-witted        horn-beast
mammering           hedge-born          hugger-mugger
mangled             hell-hated          joithead
mewling             idle-headed         lewdster
paunchy             ill-breeding        lout
pribbling           ill-nurtured        maggot-pie
puking              knotty-pated        malt-worm
puny                milk-livered        mammet
qualling            motley-minded       measle
rank                onion-eyed          minnow
reeky               plume-plucked       miscreant
roguish             pottle-deep         moldwarp
ruttish             pox-marked          mumble-news
saucy               reeling-ripe        nut-hook
spleeny             rough-hewn          pigeon-egg
spongy              rude-growing        pignut
surly               rump-fed            puttock
tottering           shard-borne         pumpion
unmuzzled           sheep-biting        ratsbane
vain                spur-galled         scut
venomed             swag-bellied        skainsmate
villainous          tardy-gaited        strumpet
warped              tickle-brained      varlot
wayward             toad-spotted        vassal
weedy               unchin-snouted      whey-face
yeasty              weather-bitten      wagtail
cullionly           whoreson            knave
fusty               malmsey-nosed       blind-worm
caluminous          rampallian          popinjay
wimpled             lily-livered        scullian
burly-boned         scurvy-valiant      jolt-head
misbegotten         brazen-faced        malcontent
odiferous           unwash'd            devil-monk
poisonous           bunch-back'd        toad
fishified           leaden-footed       rascal
Wart-necked         muddy-mettled       Basket-Cockle
                    pigeon-liver'd
                    scale-sided

Attributed to http://www.pangloss.com/seidel/shake_rule.html

POETRY: Top Five Contemporary American Poets

09/24/2011 in Poetry

Can you name five famous poets? How about five famous American poets? Here is a list of five poets considered famous by the Academy of American Poets along with a brief description of their works. This might make for good dicsussion at Cypris.

1. Billy Collins
“The most popular poet in America,” according to the New York Times

Billy Collins was born in New York City in 1941. He is the author of several books of poetry, includingBallistics (2008), She Was Just Seventeen (2006), The Trouble with Poetry (2005); Nine Horses (2002);Sailing Alone Around the Room: New and Selected Poems (2001); Picnic, Lightning (1998); The Art of Drowning(1995), which was a finalist for theLenore Marshall Poetry Prize;Questions About Angels (1991), which was selected by Edward Hirsch for the National Poetry Series; The Apple That Astonished Paris (1988);Video Poems (1980); and Pokerface (1977).

2. Nikki Giovanni
Grammy-nominated poet inspired by the civil rights and black power movements

In her first two collections, Black Feeling, Black Talk (1968) and Black Judgement (1969), Giovanni reflects on the African-American identity. Recently, she has published Bicycles: Love Poems(William Morrow, 2009); Acolytes (HarperCollins, 2007); The Collected Poetry of Nikki Giovanni: 1968-1998 (2003); Quilting the Black-Eyed Pea: Poems and Not-Quite Poems (2002); Blues For All the Changes: New Poems (1999); Love Poems (1997); and Selected Poems of Nikki Giovanni (1996).

3. Gary Soto
Award-winning Mexican American poet writing for adults and children

His first collection of poems, The Elements of San Joaquin, won the United States Award of the International Poetry Forum in 1976 and was published in 1977. The New York Times Book Reviewhonored the book by reprinting six of the poems. Since then, he has published numerous books of poetry, including A Simple Plan(Chronicle Books, 2007), One Kind of Faith (2003), and Junior College (1997).

Soto’s New and Selected Poems (1995) was a National Book Award finalist. Other early titles include Canto Familiar/Familiar Song(1994); Neighborhood Odes (1992); Home Course in Religion(1991); Who Will Know Us? (1990); Black Hair (1985); Where Sparrows Work Hard (1981); The Tale of Sunlight (1978).

4. Charles Simic
Influential Serbian-American poet and former U.S. Poet Laureate

His first full-length collection of poems, What the Grass Says, was published the following year. Since then he has published more than sixty books in the U.S. and abroad, twenty titles of his own poetry among them, including That Little Something (Harcourt, 2008), My Noiseless Entourage (2005); Selected Poems: 1963-2003(2004), for which he received the 2005 International Griffin Poetry Prize; The Voice at 3:00 AM: Selected Late and New Poems(2003); Night Picnic (2001); The Book of Gods and Devils (2000); and Jackstraws (1999), which was named a Notable Book of the Year by the New York Times.

5. Elizabeth Alexander
Poet and scholar who read at President Obama’s inauguration in 2009

Her collections of poetry includeAmerican Sublime (Graywolf Press, 2005), which was a finalist for the Pulitzer Prize; Antebellum Dream Book(2001); Body of Life (1996); and The Venus Hottentot (1990).

Alexander’s critical work appears in her essay collection, The Black Interior (Graywolf, 2004). She also edited The Essential Gwendolyn Brooks (Graywolf, 2005) and Love’s Instruments: Poems by Melvin Dixon (1995). Her poems, short stories, and critical writing have been widely published in such journals and periodicals as The Paris Review, American Poetry Review, The Kenyon Review, The Southern Review, Prairie Schooner, Callaloo, The Village Voice, The Women’s Review of Books, and The Washington Post. Her work has been anthologized in over twenty collections, and in May of 1996, her verse play, Diva Studies, premiered at the Yale School of Drama.